The Flying Dutchman

Sacked from his job in Riga and pursued by his creditors, Wagner did what anyone else in his position would have done – he made a run for it. Under the cover of darkness he slipped across the heavily-policed border into Prussia with his wife Minna and their trusty Newfoundland dog Robber, pinning their hopes…

Music of Star Wars: Story of the Success

With his 51st Academy Award nomination this year for Star Wars: The Last Jedi, it’s clear that the composer John Williams is still at the top of his game even after a career spanning six decades which has produced a string of award-winning film scores including those for Jaws, Superman, E.T., Schindler’s List, Jurassic Park,…

Wagner, Schopenhauer and The Will to Live

Richard Wagner first came across the works of the philosopher Arthur Schopenhauer while he was lying low in Switzerland following his participation in the 1848 Dresden uprising where he had manned the barricades and was even rumoured to have had set fire to the opera house where he was Kapellmeister.  

Press releases: September 2016

(1) Wagner: Overtures, Preludes and Orchestral Excerpts (2) Roussel, Debussy, Poulenc. Orchestral works (3) Fantasies, Rhapsodies and Daydreams

Visiting Bayreuth

Tchaikovsky was distinctly unimpressed with the new Festspielhaus (Festival Theatre) in the small Bavarian town of Bayreuth when he visited there in 1876 for the opening season. With its innovative design of a 1,925 seat auditorium resembling a classical amphitheatre (including a covered orchestra pit), the acoustics were tailor made for Wagner’s ambitious operas.

Wagner – from minor to major

While Richard Wagner’s lasting fame rests on his groundbreaking operas, he was evidently quite fond of his youthful Symphony in C major from 1832. Near the end of his life, he conducted a performance in Venice on 24 December 1882 for the birthday of his wife, Cosima Wagner; her father Franz Liszt also performed in…

Review: Pauline Viardot – Songs

This delightful album brings together original songs and arrangements by the unjustly neglected Spanish composer Pauline Viardot (1840 – 1910). For those unfamiliar with her music, this album is the perfect introduction with winning performances by the Bulgarian soprano Ina Kancheva, ably accompanied on the piano by Ludmil Angelov.

Death in Venice

In the third volume of his memoirs, An Orderly Man (1983), the actor Dirk Bogarde tells the story of the first screening for Warner Bros. studio executives of the film Death in Venice, directed by Luchino Visconti. Naturally they were curious to see how their money had been spent.